We tend to think of indigenous Sardinian construction as robust and direct although not particularly refined. This is due in large part to the widely published images of nuraghi, the stone towers that gave name to the Nuragic Era which spanned from about 1800 to 535 BCE. It is believed that at one time there were as many as 20,000 of these constructions of massive, roughly hewn volcanic stone. Their simple geometric forms are iconic in the natural landscape. Of the approximately 7,000 that have survived, many are sufficiently intact to be experienced as buildings.
There is, however, another archetypal form of masonry from the Nuragic Era. This is the precisely cut stonework of the pozzi saccri (sacred wells).Examples include the limestone remains at Perfugas and the reassembled pozzo at the Santa Cristina archeological site, about 115 kilometers from Cagliari. Here, the carefully finished blocks of stone, many non-orthogonal, generate complex geometry both in volume and surface. Built around 1000 BCE, the well itself and the walls that establish its precinct define a construction vocabulary that can be seen in Sardinian architecture for the following 2,000 years; that is emphasizing symbolic building elements by contrasting their high level of finish against a rough background. This may be seen not only in the ceremonial buildings such as churches and tombs, but also in the details of vernacular building. While this device is not unique to Sardinian architecture, there are few other places where a 3,000 year continuum is so clearly seen.
Images 1, 2 Nuraghe, Santa Sarbana
Images 3-5 Nuraghe, Santu Antine
Image 6 Sacred Well, Perfugas
Images 7-15 Sacred Well, Santa Cristina (Image 14, Aperture at top of Tholos – well chamber)
Images 16, 17 Necropolis (cave tombs), Sant Andrea Priu
Image 18 Santa Sarbana
Images 19, 20 Ss Trinita di Saccargia
Image 21 Santa Maria Regno in Andara
Image 22 Duomo di San Nicolo, Sassari
Image 23 Santa Catarina, Sassari
Image 24 Decorated entry, Perfugas
Following up on our previous post: On October 1st, the Bohemian National Hall , at 321 East 73rd Street will host an afternoon and evening devoted to Mies van der Rohe’s recently restored Villa Tugendhat. (more…)
The work of Mies van der Rohe is often viewed as being exercises in purist geometry, dry and mathematical.
I follow the thin black line.
Drawings by Costantino Nivola
Although Costantino Nivola was an extraordinary draftsman, and for almost ten years had worked as a graphic designer and a professional illustrator, he regarded himself above all as a sculptor, or more precisely a sculptor-builder, heir to the ancient nuraghi builders, faithful to the vocation passed on to him by his mason father. This is why his graphic work has gained little recognition. Yet, it is a body of work of great interest and quality, a cross-section of which is exhibited for the first time: over a hundred works, almost all unpublished. (more…)
A Brief Recap of Last Night’s Inaugural AIANY Oculus Book Talk Series with Carl Stein at New York City’s Center for Architecture as reported by Maxinne Rhea Leighton, Assoc. AIA: Carl Stein, FAIA’s Greening Modernism: Preservation, Sustainability and the Modern Movement (W.W. Norton & Company, 11.29.10) offers a compelling and insightful argument for a creative and enthusiastic reexamination of the interconnection between modern architecture, sustainability, historic preservation, and green strategies. (more…)
Carl Stein, FAIA, principal of Elemental Architecture, has been selected to deliver the inaugural lecture for the AIA Oculus Book Talk Series on his recent publication ‘Greening Modernism’ at New York City’s Center for Architecture on Monday, January 10th, 2011 at 6:00pm. (more…)
Last Thursday, December 9th, Elemental hosted the launch party for principal founder Carl Stein’s new book “Greening Modernism”. Tom Stoelker of the Architect’s Newspaper writes: bodacious bourbon pours complimented savory vittles at the yet-to-be-opened Hudson Clearwater in Greenwich Village last night. The restaurant’s first event launched Carl Stein’s new book, Greening Modernism: preservation, sustainability and the modern movement (W.W. Norton, $60.00). (more…)
Carl Stein, FAIA will speak as part of the “Modernism by Choice: The Economy, Politics, and Sustainability of Preservation” symposium this Saturday at AIANY Center for Architecture. The symposium is in conjunction with the World Monuments Fund’s “Modernism at Risk” exhibition on view at the Center through May 1, 2010. See here for more information on the exhibit. (more…)